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WARLINCOURT (de) Nicole

Artrinet work analysis of WARLINCOURT (de) Nicole


            

Classification : A480-B120
(You can click on each code separatly
to locate it in the general classification grid.)

WARLINCOURT (de) Nicole
WARLINCOURT (de) Nicole
www.warlincourt.com

The classification provides four or more codes placed on four axis (A - formalism, B - matériality, C - involvement body/mind, D - communication). These codes are positionning the artist in the art history.


A axis : FORMALISM
When looking at the work, what type of formalisation first strikes the eye? Is it more abstract or more figurative, etc ? (on a scale from more "immaterial" to more "realist").
A480 : Forms of "Realism"
Differents ways of observing the realities of the world, from a point of view of: "Hyperrealism"
Beyond Realism, fantastic representation of certain parts of Reality. In France (from J.O. Hucleux to Gilles Barbier, ...) but especially in the USA, in painting (Richard Estes, Richard Mac Lean) and in sculpture (John de Andrea, Duane Hanson, ..., and more recently; Ron Mueck, William Beckman, ...).


B axis : MATERIALITY
How does the materiality of what is shown come across?
(on a scale from more "immaterial" to more "real").
B120 : Immateriality by photography (film or digital)
any "action", or representation, so long as it is made visible as a statement on any backing (cibachrome, perspex, paper, ...). Here, under B120; in fixed images (film or digital: J.M.Bustamante, Philippe Ramette, Cindy Scherman).

WARLINCOURT (de) Nicole
www.warlincourt.com