Willx Art Photo - Artrinet

Willx Art Photo (WILLY Seiler)

Artrinet work analysis of Willx Art Photo

Classification : A510-B120-C150-D115
(You can click on each code separatly
to locate it in the general classification grid.)

Willx Art Photo
www.bloghotel.org/willxart/

The classification provides four or more codes placed on four axis (A - formalism, B - matériality, C - involvement body/mind, D - communication). These codes are positionning the artist in the art history.

A axis : FORMALISM
When looking at the work, what type of formalisation first strikes the eye? Is it more abstract or more figurative, etc ? (on a scale from more "immaterial" to more "realist").

A510 : Forms of "Realism"
Differents ways of observing the realities of the world, from a point of view of: Photos and allied themes
as a record of reality, or a way of working on it (from H.C. Bresson to R. Mapplethorpe ou Bernd et Hilla Becher, ...). Also as materials belonging to aesthetical work (Anette Messager, Louis Jammes, Philippe Cazal, Pierre et Gilles, ...), or as part of a broader formal work (paintings and photos by Peter Klasen; drawings and photos by Jean Le Gac, ...).

B axis : MATERIALITY
How does the materiality of what is shown come across?
(on a scale from more "immaterial" to more "real").

B120 : Immateriality by photography (film or digital)
any "action", or representation, so long as it is made visible as a statement on any backing (cibachrome, perspex, paper, ...). Here, under B120; in fixed images (film or digital: J.M.Bustamante, Philippe Ramette, Cindy Scherman).

C axis : INVOLVEMENT BODY/ MIND
With what body:mind ratio does the artist enter into his work?
Classify from the most "intellectual" (e.g."Concept Art"...) to the most "physical" (e.g. "Body Art", ...).

C150 : between
Where the material and corporal necessities of existence confront the multiple questions about its "essence" (from Munch's "Scream" to the Installations of Thomas Hirschhorn, from Karrel Appel's "Scream" to Francis Bacon, ...).

D axis : COMMUNICATION
Does the artist have the deliberate intention to convey a message of any sort through his work?
(classified from the most "mystical" to the most "worldly").

D115 : via what is meant in various narrations or symbolisms whatever they may be
allegorical, metaphorical (J. Beuys' "materials", ...), analytical (Mario Merz's "Fibonacci series", or those of Robert Filliou, ...), critical (from Henri Cueco to Hans Haacke or Guillaume Bijl, ...).

Willx Art Photo
www.bloghotel.org/willxart/